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Lamma Gung and Tavis, thanks for your thoughtful comments on this recurrent issue of my prose style. I left off posting for a while since I just didn't have time to continue the discussion, but will take the time now.
Much more than the medium, the message is the message. I don't choose to communicate what I think are banal, received, ideas to assert my membership in the herd *du jour*. I am only interested in ideas in the process of being formed, since fully-formed ideas reduce to tautology.
One thing that does concern me is the complete breakdown of human communication in the USA, where everyone is so certain that they communicate so terribly simply and where ideas (usually on the right, sometimes on the left) are considered so above question that Dave Letterman has only to mention a noun (like that astronaut crapping in her pants) to get the audience to laugh, and that Bush's eroding base has only to hear about WMDs or the unborn to tear up.
But when I was trying to say, hey, all these oh, so very Politically Correct guys, like Martin Booth in Gweilo, they reject a military clerk of a Dad because he represents the (bad old empire) because Mum chilled with China and he did not: they may now be engaged, being responsive more than they would admit to the mental manipulation of the mass media, in rehabilitating SOME empire Dads, but only to the extent that these shadows be only the guys in the front, re-enacting on the BBC or on Sky what was and remains the ugliest human sacrifice of history (WWII) so that we can vicariously Relive and Regain a manhood that we rejected back in the Sixties, aren't they just stuck?
Didn't Martin Booth die having not in fact dealt with the fact that nearly all of us, in a real war, would be stuck in the rear with the gear, and thank our lucky stars for this, and spend the rest of our lives married, as was his father was, to a pathetic and outdated colonial existence, vastly preferable to dying like a dog on the Moulmein railway?
So why treat Dad like that in a book?
How dast he judge that man, as Uncle Charley said to Biff about our own American Willy Loman?
Even my head hurts, sure, but it's the thought and its nonbanal character to me.
The point being that being that I'm out of Ben and Jerry's, I often use the Internet to give birth in hopes that someone will adopt the poor little perisher of a thought in all its subordinate and superordinate complexity, said complexity being only just adequate to a life spent on several continents.
And the bare expression of such a thought seems to me to demand a complex syntax to avoid a binary rejection such as Martin Booth seems to have made.
If it is somehow Not Cool to do this according to the In Crowd on Lamma Island, well, too bad for me I guess. They have every right to post "Idiot", and I have in turn the right to turn a single word response into what I think is a more engaging riposte.
As to writers who write for publication and who would advise me to write like Hemingway, gruffly and more simply, all I can say is I've written for paid publication and have listened to more than my share of sermonettes on how people want simple writing and other forms of media.
The most representative being the sermonette given by the commercial film director in Denys Arcand's 1989 film, Jesus of Montreal, to the little lady who shows up for the shoot having studied classical dance, to the effect that the audience is a bunch of beer sodden yobboes who want to see her tits and who could give a toss about Art.
In other words: I ain't no spring chicken, and I have long been made aware by a series of long-suffering editors that to some extent in any paid writing gig, one is being paid to pander to the bear in the zoo, not to create something New. Having been from time to time a sodden yobboe myself looking for breast meat on lower State street, I am well aware that humanity is regressing at warp speed, having done not a small amount myself.
However, having been a Dead End Kid, I find some small redemption in the half formed thought that represents the smallest possible advance beyond the usual horseshit I find in the South China Moaning Pest, which is dialectic at a standstill as far as I can see. You lads happen to be fortunate to be in the delivery room, but can use the famous scroll bar at any time.
As I have said before, the irritation is having to parse a complex thought: mere pages of pasted text from another source simply don't create this anger, and given that you can just scroll, the frustration is in having to understand a thought, which may only seem portentious, from someone who appears to be a real Nowhere Man, having few links with anyone here.
The reader justifiably wonders, is it worth my time? And I here will wonder aloud, am I leading him on? What is the worth of even asking whether Martin Booth honored his father? Or pointing out that Frank Zappa was no vegetable, and to forget what really went down in the 1960s is amnesia?
All I can say is, onward, through the fog, and drink deep, or drink not, from this particular Pieran Spring, and don't reply "idiot" and expect no response.
Thank you for your hard work, Lamma the Gung, Jabba the Hut and the rest you guys, and your tolerance of free speech here. I realize that this site is a lot of unpaid work and I really appreciate that. If at any time my prolixity creates a problem, please let me know if I need to change my posting behavior.
_________________ Publish and be damn'd
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